Click here to see the trailer!

Click here to see the trailer!

A Global Girl Special on an Innovative Project:

Reflecting on my blog yesterday about Favela Tourism, I had to add one more layer to the puzzle:

I ended yesterday’s blog saying that for Favela Tourism to really work, it has to come from a more internal community effort, and the community needs to be okay with some possible negative trade-offs for turning their community into a commodity item. Well, the project O Morrinho has transcended these barriers.

I first became introduced to the work of O Morrinho when I was doing volunteer work in Rio de Janeiro with Iko Poran. Some volunteers were working with the project. Later on, I even helped a dutch girl translate some of the website into English.

O Morrinho has a blog and you can see it here!

About O Morrinho:

O Morrinho is an art project that has created a 300m2 replica of a favela in Laranjeiras in Rio de Janeiro. This project has called lots of attention both nationally and internationally. These efforts not only reveal the “transformative power of art,” but also allows a way to spread the word of the lives in Favelas without having to objectify any community residents. This project is a really amazing effort.

Eventually these boys, and others as the project grew, began filming their efforts. There is a documentary about the building of the Morrinho, and there is a documentary called “Deus sabe tudo mas não é um X9,” or “God Knows Everything But He’s Not A Snitch” which will be showing on July 20th at the Museum of Modern Art in New York City.

History of O Morrinho:

In 1998, after arriving in Rio de Janeiro, Nelcirlan Souza de Oliveira was inspired by the architecture and life-style in the favelas of the Carioca city, and his curiosity and intrigue led him to reproduce this reality in his own backyard. His efforts attracted seven young boys who from their began the creation of the replica of their community, Vila Pereira da Silva in Laranjeiras.

Why a good solution?:

In the article, “A Construção da Favela Carioca como Destino Turístico,” Bianca Freire-Medeiros warns the reader that in the famous “contact zones” (coined by Mary Louise-Pratt in Imperial Eyes: Studies of Travel Writing and Transculturation) of two different cultures, it is wrong to believe that just one culture creates perceptions and representations of the others, but that there is always room for a dialogue.

Freire-Medeiros states: (My Translation) “I started this research forgetting one basic principal of human interaction: Even in contexts of inequality, there is always space for the emergence of dialogue.”

After all, it is a dialogue that will break not only the line that does exist between the morro, hill, and asfalto, asphalt, but it will also help break the stereotypes that this distinct separation really exists, the stereotype of the parallel powers of the “dual city” that actually ends up perpetuating the reality of this condition.

O Morrinho is a project that really came from within the community–a true representation created primarily by kids who just wanted to express themselves–and now it is a way to show the world the lives of some people living in this favela and create a dialogue nationally and internationally, and it does this without commoditizing the lives of those who live in the community.

Interested in seeing the project? You can schedule a visit, click here for more information!

Post to Twitter Tweet This Post