Mil+cruzes+são+cravadas+na+praia+de+Boa+Viagem,+em+Recife,+em+um+protesto+contra+a+violência

I didn't want to "expose" (or exploit) Rio like the photo shoot, so this is a picture of a protest against the violence in Rio de Janeiro.

O Globo, a large Brazilian newspaper, declared in its headline a few days ago, “It’s War: The Magazine The New Yorker Publishes Material About the Violence in Rio de Janeiro Four Days Before the Vote for the 2016 Olympic Headquarters.”

They responded to the New Yorker’s piece about Gang Violence in Rio de Janeiro that portrays Rio as a city of “Parallel Powers.” (If anybody is a reader of my blog, you know how I feel about the use of this phrase. “Parallel Powers” is a tricky one, mostly shunned by academics.) It is an interesting photo shoot, but a rather typical lets “expose the real world of Rio.” Photo shoots like these, those that are “exposing” the violence that occurs, always make my stomach turn. How much do they actually create a “better awareness?” How much to the “artists” exploit the violence for their own benefit?

Honestly, hearing what this guy has to say makes me think that he knows very little about what actually goes on. (Not to mention the fact that it annoys me how he tries to talk with a Brazilian accent and fails miserably.) He talks about the Militia while showing a symbol of the BOPE; however, the BOPE is not the militia. The BOPE is actually a special police force, and not necessarily part of extra-legal right wing milita groups. (However, some of these police could be taking part in the militias, as well). He talks about the Ilha do Governador as if there was just one favela, when in fact there are various favelas (as well as other neighborhoods). Last, but not least, the fact that his last words spoke, “there was a lot of fresh graves in that cemetery,” just put the icing on the cake for me. First, he was trying to be  poetic by ending with a cemetery, making the city of Rio de Janeiro look like one graveyard. Second, and worst of all, is that it’s true that a lot of people are killed by the violence in Rio de Janeiro, but the sad thing is they probably don’t even get proper respect and graves in a graveyard like the one he showed in his photo shoot. So not only did he exploit the deaths in order to end really artistically, but he got the story wrong.

There are photography projects in Rio de Janeiro that try and paint an image that goes directly against this sort of portrayal of the city and the violence in the favelas. I would love to know what an organization like Observatório de FavelasImagens do Povo would have to say about this exhibit.

Shortly after O Globo released the article, they were appalled about the portrayal of Rio in The New Yorker. O Globo, then, released another article with the headline, “Three days before the vote on the 2016 Olympic Headquarters, Youth is Beaten to Death by Gangs in Chicago.”

The magazine, Foreign Policy, released an interesting blog post about the whole journalism affair. You can read it here.

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